Related Papers
Artistic Research and Literature
Poetics of Understanding: Language Arts and Artistic Research
2019 •
Alexander Damianisch
Literature and Artistic Research
corina caduff
About the Lack of Literature in the Discourse of Artistic Research
Visual Resources an international journal on images and their uses
The Bibliography of Francophone Art Critics, a New History of Art Criticism in the Light of Digital Humanities in Visual Resources an international journal on images and their uses, Vol. 33 , Iss. 3-4,2017, pp. 419-422.
2017 •
Chara Kolokytha
Manifesto of Artistic Research
2020 •
Dieter Mersch
Since its beginnings in the 1990s, “artistic research” has become established as a new format in the areas of educational and institutional policy, aesthetics, and art theory. It has now diffused into almost all artistic fields, from installation to experimental formats to contemporary music, literature, dance or performance art. But from its beginnings—under labels like “art and science” or “scienceart” or “artscience” that mention both disciplines in one breath—it has been in competition with academic research, without its own concept of research having been adequately clarified. This manifesto attempts to resolve the problem and to defend the term and the radical potentials of a researching art against those who toy all too carefully with university formats, wishing to ally them with scientific principles. Its aim is to emphasize the autonomy and particular intellectuality of artistic research, without seeking to justify its legitimacy or adopt alien standards.
English version of "Künstlerische Forschung", in Hans-Peter Schwarz (Hg.): Zeichen nach vorn. 125 Jahre Hochschule für Gestaltung und Kunst Zürich. Hochschule für Gestaltung und Kunst Zürich, Zürich
Artistic Research
2003 •
Christoph Schenker
Knowledge in its current form is not identical to the knowledge of the sciences. Scientific knowledge is a specific kind of discourse that is set off from the discourse genres of other, non-scientific areas of competence. In concert, they all form a diversity of essentially equivalent and equally necessary systems. Nonetheless, the currently prevalent style of thinking is that cultivated by the sciences and the humanities. And it is primarily scientific technology that has proven to be the most efficient contributor to contemporary society's focus on innovation. Scholarship and the sciences also constitute the last bastion of a culture that exists exclusively as high culture. Scientific research is a curious mixture of ideology and practice, of realistic procedures and unreal demands. The need to resort to scientific support in order to reinforce the relevance or status of a given area of competence has become obsolete. In this paper I shall outline a few thoughts on the character of research in the fine arts. The concept of research is closely allied with the sciences. Even so, it is fruitful to apply this term to the pragmatic context of artistic endeavour although it is not possible to address the concepts of research and art in greater depth in this context.
French Studies: Special Issue: The Nineteenth-Century Art Novel
Literature and Art
2007 •
Paul Smith
This special issue of French Studies examines a body of narratives featuring French art and artists published at representative periods during the nineteenth century (in both French and English). There are strong thematic continuities between many of the examples discussed, particularly as regards their concern over the social and economic position of the artist, and the nature and gendering of creativity. The topoi of the genius and the raté also recur throughout. Several texts are vehicles for voicing aesthetic and political positions. And many draw closely on contemporary figures, events, and debates for their content. Yet this special issue does not aim to identify a discursive unity so much as to exhibit the variety and richness of the art novel's evolution. It is also concerned to address some of the methodological issues involved in reading this kind of text, including the selectivity of the canon, intertextual connections, and the relationship between fiction and fact. It is hoped it will not only plot some new and unfamiliar material in an area still represented for most by a mere handful of 'major' texts, but also bring some of the questions involved by this expanded configuration of the field into sharper focus.
Doing Artistic Research
Dan Serig
Critique d’art
Yve-Alain Bois
Denys Riout
Ine work of Henri
涵 王
Conference proceedings
1st Conference on Arts-Based and Artistic Research. Critical refections on the intersection between art and research.
2013 •
Rachel Fendler
